geriausias sprendimas - kai visi garsai išeina iš vieno taško, o toliau jau kaip kas nori.

grįžtant prie sacd, yra tokia mintis, kad „There are also challenges with DSD when it comes to digital signal processing. To handle DSP operations – necessary in the process of making most records, where mixing, level changes, EQ and compression often take place in the digital domain – the DSD signal must be decimated (turned into something very much like PCM), processed and then returned to the bitstream format. There is arguably little point in using DSD if you are going to turn it into something like PCM on the way to the master.

It has also recently emerged that in the studio environment, DSD does not employ a "bitstream" at all, but rather a form of quasi-PCM, albeit at a very high sample rate, probably in order to allow DSP processing as described above. Some people have considered this a form of cheating.

As a result of all this, it has been suggested that the primary application for "pure" DSD is for recordings in which the technique is essentially to capture a live performance and then edit it without the use of digital signal processing. This may be particularly possible in the classical field, and for other types of music where there is an actual performance to capture, but this only applies to about five percent of recorded music. The rest is created in the studio, multitracked, and reliant on a great deal of mixing, processing and other digital operations. It may be that for these types of recordings – i.e. most of the recordings that are carried out – PCM is more appropriate. However, it may also have an application where analog recordings are being reissued.“

tai visai būtų įdomu, jei ramil'as galėtų padaryt vieną tiesioginį dsd, kitą perverstą per pcm, o kitą tiesiog pcm dvd-a ar cd, o tada surast kiek galima geresnius grotuvus ir palygint rezultatus

http://audiomastering.lt